Greetings from the Mantlepiece. 2010.
Mixed Media Installation including paintings, steel and wood props
(dimensions variable)
With thanks to: "John Peacock Precision Engineering Ltd, Hurst, Berkshire"
Gemma's giant postcard paintings expose the falseness of the touristic image. Scenes taken on sunny days have their skies replaced with ominous sometimes almost apocalyptic skies. Which view is real, the image presented to us, the sky, the scene around it or are they all somehow valid at the same time?
gemma@gemmacumming.com